Title section
Date and Time
Thursday 4th November 2021, 8-11pm

Dream Chambers, Strange Stains & Class War on the Dancefloor

Entry
$15 presales
Body

Dream Chambers is the ethereal electronic music project of APRA-Award winning songwriter, Jess Chambers. Her sound, created using a mass of modular synthesizers, sequencers, and vocal processors, counterpoints heavy sub-bass with crystalline granular vocal samples and shimmering arpeggios.

Class War on the Dancefloor. Marika Pratley (she/they/them) is a Queer Greek/Cypriot New Zealander, composer, improviser and performance artist, born and raised in Te Whanganui-a-tara, Aotearoa. Themes of her work include radical relaxation, intersectional feminism/queerness, mental health activism, healing from trauma, anticapitalism and sloths.

Strange Stains is one of the many projects of Aimee Cooki M; producer, singer, visual artist, and designer. Cooki grew up in Rotorua and now resides in Te Whanganui-a-Tara. Her singular approach, and excitable energy, brings mesmerising and luscious performances of industrial-pop soundscapes that encourage footloose abandon. DIY ableton beats, her faithful synth, and a strapped on microphone are just some of the tools used in crafting fresh aural stains that amplify the poetry of this bogan Madonna.


Presale tickets from Under the Radar

LIMITED TO 20 TICKETS UNDER LEVEL 2

Feature Image
Jess Playing live, an array of electronics in front of her, and a city scene projected on the wall behind her.
Upcoming Events
The prolific Campbell Kneale brings his current project Powers to Pyramid Club with support from Marrowspawn and Impress
A night of shifting ambiance, blurred shapes, and glassy texture. Two meetings of akin forces, joined by guitar god of the future G, R. Woo
Five of Pōneke's finest improvisors converge on the Pyramid Club to channel "electronic space jazz"!
Guitars, reeds & gongs combine for a night of exploratory sound and deep listening.
In this first Techno Echo session for 2026, four presenters will each share a favourite piece of gear and how they use it in their practice.
American French hornist Kyra Sims combines electronically processed field recordings from Antarctica with free improvisation, vocals, and storytelling, in collaboration with A/V designer Ryn Hardiman. Supported by local classical composer, Lucky Pollock, on flute, keys and vocals.